“Nguyễn–Hunt grapples with the seemingly irreconcilable simultaneity of a locus that evinces memories of queer trauma and affirmation. The amplifying nature of kitsch neon signage is appropriated to make visible what Nguyễn–Hunt, as an intersectional being, finds thoroughly lacking in the wider net of languages and representations associated with diasporic and BIPOC identities.”

exhibition text by Alice Maia Rezende